![]() "We were already a grassroots organization and being asked by so many Asian American groups to perform for them at their conferences, at their benefits."īy 1990, Cold Tofu was on the road, traveling to San Francisco, Seattle, Minnesota and Arizona. "Even though we didn't know what we were doing, we were already booking colleges and JACL conferences," Kumagai recalls. Tokuda also credits Gary Austin, founder of The Groundlings, for deepening their understanding of character work as many of the characters they created under his tutelage ended up on stage. He saw us and said, 'Oh man, there are some other Asians that are interested in comedy,' " says Tokuda. "He was kind of lonely being one of the only Asian American comedians too. Later, Pat Morita helped Cold Tofu with money for grants, specifically for instructors. There was also Steve Book, who taught at the University of Southern California and was an instrumental early mentor, teaching them the fundamentals of improvisation and the respect for creating scenes using nothing but imagination and space props. “We didn't know who he was," Kumagai says. ![]() Her husband, Roger Bowen, starred in the TV sitcom MASH and was a founding member of Second City, a Chicago-based improv enterprise – but the Cold Tofu actors didn’t know that. Escamilla produced at East West Players and introduced the ladies to their earliest mentor, Ann Bowen. He noted that all Asian cultures eat tofu, albeit in different ways, and ‘cold’ connotes improv.Īnd their startup was not without resources or networking. The group’s name, Cold Tofu, came from Michael Paul Chan. "We decided to do it on our own so we could show our experience," Tokuda says. No one else was going to tell their stories of being Asian American-and make it funny. I want to find out about our own experiences, Asian Americans and what we found funny.' I don't want anyone telling us what they think is funny because we'll end up being a big fat stereotype on stage." "I had considered going to The Groundlings, but then I thought, 'No, I don't want to learn that kind of white comedy. When in reality, we didn't know what we were doing, really," Tokuda remembers. We just kind of winged it and thought we knew what we were doing. Come on.' We didn't have any instructors. We said, 'We can figure out the formula for these. With a space to gather and members who were interested, they educated themselves by going to clubs and watching others at The Groundlings, one of the two major improv theaters in the nation at the time, along with Upright Citizens Brigade, that fostered up-and-coming talents.
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Warbeck did read a confession at his execution. He possibly made the confession in order to avoid being put to death. Warbeck gave a confession while incarcerated, but historians generally discount the information he gave, as he was definitely under duress when giving the statements. Warbeck was said to bear a strong resemblance to Richard of York, so much so that many people argued that, if he were not the lost prince, then he was at least one of Edward IV's illegitimate children. Warbeck was captured by Henry VII's supporters and was eventually hanged in November of 1499. The temporary alliance between Warbeck and James IV soon soured, and Warbeck, left to his own devices, attempted to find support in the English county of Cornwall, which had recently attempted to rise in rebellion of Henry VII. The king attempted to use Warbeck as leverage against Henry VII by forging an alliance with Spain. He raised a small army and attempted to land in England at Kent, but was quickly defeated and retreated to Scotland, where he did manage to find support from the Scottish King James IV. He attempted to gain support in Ireland just as Lambert Simnel had, but was unable to find any help. Perkin Warbeck first presented his claim to the English throne in 1490 at the court of Burgundy in what is now modern day France by claiming to be Richard of York. Though Lady Jane Grey, the 'Nine Days Queen,' took the throne before Mary I in 1553, she was considered a de facto queen, essentially a queen in name only. Though the princes had older sisters, females were generally not allowed to inherit the throne until Mary I known throughout history as 'Bloody Mary', was crowned in 1553, as her brother, Edward VI died with no heirs. Because of young Edward's age, he was only twelve, his uncle Richard became his protector as was indicated in Edward IV's will. Their father, Edward IV died on April 9, 1483, making Edward, as Prince of Wales, the new king of England and his brother the Heir Presumptive. Anne de Mowbray died at the age of eight. Anne of Brittany eventually married the French King Charles VIII and became one of the richest women of her era. ![]() Edward had a marriage contract signed in 1480 with Anne of Brittany, who was four at the time, with their wedding to take place when they both reached the age of majority. ![]() Richard wed Anne de Mowbray in 1478, when he was just four, and she was six. As was often the custom during this time, one of the princes was married very young. (Yes this list used to have just 10 ideas but we’ve added more as Ella has gotten older and we’ve needed a good mix of toddler crafts and big kid crafts.)Ī great mini-unit on Veteran’s Day accompanies this ripped paper poppy craft from Carrots are Orange. Here are our 15 favorite poppy crafts from around the internet: If you are just searching ideas and not making these poppy crafts now, make sure you pin this for later! In Flanders Field (this book contains both the famous poem and the background behind the poem).These books about the significance of poppies would be great to pair with the craft: Obviously, the information that you share will depend on the ages of the children you are dealing with, but children of all ages can understand having gratitude and honoring people who have made sacrifices for us and our world. You are more likely to retain that information and understand it in a deeper way because of that combination of two information processes. Think about the difference between watching a recipe technique on TV versus watching a recipe technique in your kitchen and then getting to try it out right away. Giving kids a sensory play invitation or craft after (or while) they receive new information is a great way to help them encode that information in a deep way. This year, I wanted to try out some poppy crafts with the kids as a way of facilitating conversation about Remembrance Day as it is known here in Canada – or Veteran’s Day for my US friends and Anzac Day for my Australian friends! She wore her grandpa’s berets, held his metals, and gasped in the knowledge that her grandpa was, as she put it, “Batman.” (She’s 3.) Today, we’re sharing 15 of our favorite Poppy Crafts for Kids.įor Remembrance Day last year, I shared with Ella our family’s military history. It allows them to have time to process the information you share while also feeling like they can contribute in some way. One of the best ways to facilitate conversations with kids about Remembrance Day or Veteran’s Day is to engage them in a poppy craft. For more details, see our Full Disclosure. Welcome back to Sugar, Spice & Glitter! Please note, this post may contain affiliate links. you can skip one or the other depeding on the path you chose, but you may want to opt for both, especially mages who spend a lot of time casting but would like to be able to protect themselves in close quarters against smaller enemies in boss fights. Bee will spawnįound in the Beginning of Pumpkin Woods and above the Graveyardīoth of these are increases to either your ATK or MATK, and it’s quite the difference. The best way is to just make the enemies in the mountains go hoard mode, because more often than not, Mrs. Also this might save your shield from breaking when faced with enemies like Brawler Bots and Phaseman. It is especially helpful when you find yourself going up against Elder Winter and allows for a special little tactic which I’m sure someone’s already written about. This card increases your shield’s durability by 25, which doesn’t seem like much but is almost half a shield upgrade in itself. Some firecasters may find that using the fan of flames can easily stop her without having to use your shield. Bee is an annoying enemy that can’t be hit while flying except by your cloud summon, and requires you to either block with your shield to temporarily render unconcious or for you to time your attack against her swoop. ![]() This card is an easy 50 HP increase, which is better than most effective armor up to this point in the game,įound in the Pillar Mountains next to the fishing spots I chose to grind them by continuously exiting off-screen because when you enter hoarde mode (at least that’s what I call it when enemies start spawning extremely fast in an area) more than likely you’ll end up with a bunch of Rabby jumping about. In the screen which they appear, there are three static Bloomos, and they don’t move, making them easy to dance around their wild vine swing, and they know no other attacks. For all newer players, remember that you can’t grind for cards unil after you’ve become a Collector. Now, anyone looking just to grind, that’s all you really need, but for other players, perhaps you’ll appreciate the rest of the guide and specifices of each card (even though, spoilers, they are already written in the pictures). I’ve compiled a small list of 10 absolute must-have cards that you should strive to have for any class you happen to be in, along with location, the best area to fight them continuously, and tips for defeating them faster. Of course, such great items don’t come easily, and yes, sometimes they may even take an hour or two of constantly fighting the same enemy after the EXP meter has already stopped moving for you because you’ve been fighting the same enemies for 40 minutes without any results, but hey, it’s literally the name of the game to grind. Most permanent buffs that don’t take up item slots or whatever happens to be in your MMORPG or MOBA do small things, like increase things by 1 or 2 percent, or give your character +2 to ATK or DEF, numbers which really don’t matter too much, but in Grindea, you get automatic results. Some are not as amazing as others, some are ridiculously good, and overall, the important thing with the cards is YOU SEE AND FEEL THE DIFFERENCE. One of the core collection mechanics in the game is cards (surprised, I know, they only make a huge deal out of it after Giga Slime), and cards give your character a surprising amount of small buffs, effects, and even strange modifiers that stack with your talents and skills. ![]() Loli’s back, everyone, I hope you didn’t miss her too much. ![]() A small guide on must-have cards for your character Intro to Grindea’s Cards It would be fantastic if the SW3D developers were willing to add to the z axis the same functionalities of the x and y axis - namely, rotation and the ability to view the object from the bottom. To get around this, I exported the object and re-imported it upside down. The ability to show what a module looks like from the bottom is necessary for the instructionals. The other big challenge was the inability to view an object from the bottom - or to turn it upside down by rotating on the z axis. Even on the x and y axis, SW3D only rotates in integer increments - so to rotate at the precise angle necessary for a roof slope, I also had to use Blender. In those cases, I had to export it to obj, import into blender, rotate, re-export, re-import into SW3D. In some cases this didn't work, since the feature mentioned above only rotates by 90º increments and, in some cases, I needed to rotate an object 3 or 4º (the roof slope). To do this I had to export the model to obj and then reimport - in order to use the rotate feature of the import function. The major challenge was to rotate objects on the z axis. In the end I was able to model practically everything in SW3D, but had to use Blender as auxiliary software and, in some cases, had to jump through some hoops: What additional features would make this easier: ![]() The idea is to create a vast library of building modules that people can recombine to design their own buildings. I'll also publish tutorials on how to use and add to the libraries. My plan is to make publicly available both the building materials and module libraries and encourage people to use them to design additional modules and structures. If it were me, I'd mention that we'll be using SW3D as the main design and documentation software for OBI. This would be a good opportunity to mention OBI - although it's a shame we don't yet have a website. Following our modular approach, several parts of the chicken coop are themselves modules - the floor, doors, nesting boxes, etc - which can be assembled into different designs. I'm also using SW3D to model functional components, such as the chicken coop ( ). All the SW3D files are publicly available on our repo - for people to use and modify - and we'll continue to add more. The models were also used to create step-by-step build instructionals. Then I created another library of modules (walls, doors, windows, roof) and used it to design all the different greenhouses that appear on the infographic - as well as the one we actually built. I then used this library of building materials to design each module: walls, roof, doors, windows, etc. I started by designing and creating a library of building materials (using the Furniture Library Editor): dimensional lumber, glazing panels, plywood panels, hardware, etc. Although SW3D wasn't created for this specific application, it turned out to be - in my opinion - the best software for the job. This precisions enables us to test the feasibility of modules and structures before building them. I chose SW3D because it's so easy to use and understand, it enables libraries to be created and used with little effort, and it allows precise placement of objects through numeric coordinates. ![]() After modules have been built in the workshop, they are installed on site and coupled together - like legos. The walls are made of 4x8 modules and the roof is made of 4 x 16 modules. I would start by explaining that we do modular buildings - similar to pre-fab, but everything is fabricated on site, rather than in a factory. Sweet Home 3D is an open source project distributed under GNU General Public License.Īquaponic Greenhouse Design - Sweet Home Use Case Very user friendly for the first try - including easy edit and length modification, undo, copy/paste, etc. I don't understand what your workshop could consist of.įirst time use appears attractive - floor plans are easy to draw up and dimension, and components including doors can be dragged and dropped in. There's already some documentation to learn this software available at ![]() Thanks for your interest in Sweet Home 3D. Sweet Home 3D is open source interior design software that helps you draw the plan of your house, arrange furniture in it and visit the results in 3D. 5 Aquaponic Greenhouse Design - Sweet Home Use Case. I have no idea who the other two people are.ĮDIT: Jeff Hunger is a sociologist researching weight stigma who has published papers with Janet Tomiyama. His work was used by the Center for Consumer Freedom, a paid propaganda firm that has done work for the Restaurant Association and the smoking lobby, along with the Fat Acceptance movement. Paul Campos is a fucking lawyer who wrote a book. A much larger meta analysis published in The Lancet essentially shitcanned her study, and Andrew Stokes has shown that when you categorize by lifetime peak weight, the never-overweight have the lowest mortality rate of all. It was widely criticised for insufficiently correcting for confounding factors. Katherine Flegal is one of the authors of a 2013 study with a large representative sample from NHANES that supposedly showed better longevity for the overweight. It’s an interesting topic, especially considering that some of her findings might be attributable to other factors and advancements in medicine These findings are consistent with the increases in life expectancy in the United States and the declining mortality rates from ischemic heart disease.” The impact of obesity on mortality may have decreased over time, perhaps because of improvements in public health and medical care. “Underweight and obesity, particularly higher levels of obesity, were associated with increased mortality relative to the normal weight category. Here’s the conclusion of the original article: There are actually some very good theories on why overweight people-as in a BMI of around 27–have better outcomes (loss of appetite is a huge issue in chronic illnesses and for many medications).Īnyways it’s frustrating that people take a few statistical analyses that cannot account for every weird factor and turn it into a blanket statement (in reference to the podcast).ĮTA: also the CDC still stands by her findings. The podcast tries to deny this finding, Flegal’s work does not. It’s not healthy to be obese and that was never the purpose of the study-it was to determine the actual mortality connected to obesity. ![]() However in the obese categories, health outcomes and disease incidence increases as weight goes up. Flegal’s work is pretty clear that health outcomes in the overweight category are slightly better than the normal category. I take issue with how you characterize Flegal’s study. 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